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Music classes, Plaza Music Center, 912 Union St., Bklyn, 4/2…
Image by New York Public Library
Digital ID: 1600925. Music classes, Plaza Music Center, 912 Union St., Bklyn, 4/28/38.. Robbins — Photographer. 1938
Notes: Title from verso. Stamped on verso: ‘Federal Art Project W.P.A., Photographic Division, 235 East 42nd Street, New York City’
Source: Mid-Manhattan Picture Collection / Music — 1900s (more info)
Repository: The New York Public Library. Mid-Manhattan Library. Picture Collection.
See more information about this image and others at NYPL Digital Gallery.
Persistent URL: digitalgallery.nypl.org/nypldigital/id?1600925
Rights Info: No known copyright restrictions; may be subject to third party rights (for more information, click here)
Music Visualizations, Synchoric Orchestra dancing Schubert’s…
Image by New York Public Library
Digital ID: DEN_1409V. Music Visualizations, Synchoric Orchestra dancing Schubert’s Unfinished Symphony, first performed in 1919 at Shawn’s Grand Ave., Los Angeles studio. (Later done in 1931 at Lewisohn Stadium, with children.). Kales, Arthur — Photographer. 1919.
Notes: National Endowment for the Arts Millennium Project. Image surface deteriorated.
Source: Denishawn Collection (more info)
Repository: The New York Public Library. The New York Public Library for the Performing Arts. Jerome Robbins Dance Division.
See more information about this image and others at NYPL Digital Gallery.
Persistent URL: digitalgallery.nypl.org/nypldigital/id?DEN_1409V
Rights Info: No known copyright restrictions; may be subject to third party rights (for more information, click here)
The No Music
Anticon has to be applauded for their constant efforts to push the limits of hip-hop. Clouddead’s self-titled full-length managed to match the ambience of Brian Eno’s experiments with Kerouac lyrics and confounding beats. But Dose One’s other outfit, Themselves — his duo with producer Jel — while nearly as ambitious, fails to really engage the listener. Sure, The No Music has its high points — Jel is in top form when working with ambient samples without the pretense of being hip, like the dreamy opener, “Home Work,” for example. And Dose One’s nasal vocals are powerful in catchy singsong pieces like “Mouthful” and “Good People Check.” But the rapid-fire word-dropping on “Live Trap” is likely to detach listeners from any hope of connecting, and Jel’s beats can be less than inspiring. The No Music is still rewarding for those who dig deep enough, but it’s Anti Pop Consortium and the “Definitive Jux” producers like El-P and RJD2 who pushed hip-hop the furthest over the edge in 2002, with insane samples, mad lyrics, and unexpected, distorted beats building a cacophony that’s impossible to ignore. ~ Charles Spano, Rovi
List Price: 16.97
Price: 13.58
The Music
UK Drum & Bass artist Blame gets the opportunity to work with some of his heroes and the dance & urban elite on first artist album, Blame The Music. On The Music, Blame takes the next step and fuses Drum & Bass, urban beats, pop sounds and dance to create one of the most forward-thinking electronic music albums of today, rammed full of hot new talent and legendary artists from the respective scenes. Grabbing the attention of early Drum & Bass fans with the huge anthems Music Takes You and Planet Neptune on Moving Shadow, Conrad Shafie, aka Blame became one of the most exciting names in the dance industry, breaking into the UK charts and also riding high in the dance charts. In 2008 Stay Forever was released, a beautiful blend of beats and soaring strings that caught Radio 1′s attention in a massive way. Blame & Selah’s 2009 follow up Because Of You became Zane Lowe’s Hottest Record In The World and Sara Cox’s Single Of The Week. Blame has also remixed some of the biggest names in music’s A-list including David Guetta & Kelly Rowland’s UK no.1 hit When Love Takes Over and Steve Angello & Laidback Luke feat. Robin S, Show Me Love. Having achieved so much in his career already, Blame decided to up his game and tackle the next challenge, his first artist album. Famed for pushing Drum & Bass into different forms, Blame knew that the album had to say something different yet take in the surrounding elements and styles of music that influenced his life.
List Price: 26.99
Price: 21.59
